11,600 Free Artworks of Engraved Printing Plates

yale center for british artartworks without wikidata itemartworks with known accession numbercc-zerogwtoolset batch uploadimages from metropolitan museum of artthe elisha whittelsey collectionstipple engravings in the yale center for british artstipple engraving1790s prints of people
Plate 13- Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" MET DP855434
artworks without wikidata itemjoan blaeu
Plate 3- The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes" MET DP855427
bad use of creator template - optionartworks without wikidata item
Plate 10- Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" MET DP855431
artworks without wikidata itemjoan blaeu
Plate 12- Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" MET DP855433
artworks without wikidata itemjoan blaeu
Plate 5a- Marie de Medici as Berecynthia, from Caspar Barlaeus, "Medicea Hospes" MET DP855426
artworks without wikidata itemjoan blaeu
Plate 8- Prosperpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from a series of mythological gods and goddesses MET DP830884
artworks with known accession numberartworks without wikidata item
Plate 6- Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from a series of mythological gods and goddesses MET DP830914
artworks without wikidata itemthetis
Plate 9- Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from a series of mythological gods and goddesses MET DP830885
artworks with known accession numberartworks without wikidata item
Plate 1- Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses MET DP830886
bad use of creator template - optionartworks without wikidata item
Plate 8- Emperor Maximilian II granting a crown to the coat of arms of Amsterdam, from Caspar Barlaeus, "Medicea Hospes" MET DP855429
artworks without wikidata itemjoan blaeu
Plate 4- Juno standing in a niche, viewed from behind, stroking a peacock to her right, from a series of mythological gods and goddesses MET DP830912
bad use of creator template - optionartworks without wikidata item
Plate 19- Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from a series of mythological gods and goddesses MET DP830881
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Plate 7- The Marriage of Francisco I de Medici and Johanna of Austria, from Caspar Barlaeus, "Medicea Hospes" MET DP855428
artworks without wikidata itemjoan blaeu
Plate 3- Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from a series of mythological gods and goddesses MET DP830888
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Plate 14- Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from a series of mythological gods and goddesses MET DP830878
bad use of creator template - optionartworks without wikidata item
Plate 15- Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses MET DP830880
bad use of creator template - optionartworks without wikidata item
Plate 2- Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from a series of mythological gods and goddesses MET DP830887
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Plate 12- Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses MET DP855251
bad use of creator template - optionartworks without wikidata item
Plate 12- Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses MET 270567
bad use of creator template - optionartworks without wikidata item
An allegorical composition with Charity and prisoners in chains; a plate from Rossi's series of engravings of Pietro da Cortona's fresco in the Camera of Mars in the Pitti Palace, Florence. MET DP847768
artworks with known accession numberartworks without wikidata item
Plate 15- Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses MET DP832195
bad use of creator template - optionartworks without wikidata item
Gentlewoman with a young negro carring her train., Claude Louis Desrais, between 1778 and 1787
galerie des modes et costumes françaisclaude leroy
Plate 14- Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from a series of mythological gods and goddesses MET DP830879
bad use of creator template - optionartworks without wikidata item
Passover Meal Among Portuguese Jews, Bernard Picart, 1725
cérémonies et coutumes religieuses de tous les peuples du mondepassover seder
Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9) MET DP109525
artworks with known accession numberartworks without wikidata item
Portrait of Louis XV (1710-1774), Nicholas Blakey, 1739
jakob christof le blonnicholas blakey
William Hogarth's A Harlot's Progress, plate 6: Moll's wake., William Hogarth, 1732
christian funerals in artrealism
William Hogarth - A Rake's Progress - Plate 8 - In The Madhouse, William Hogarth
a rake's progressrealism
A View of the South Part of Lexington, Ralph Earl, 1775
amos doolittleralph earl
The doctrine of morality - or, A view of human life, according to the stoick philosophy - exemplify'd in one hundred and three copper-plates, done by the celebrated Monsieur Daret, engraver to the (14744818991), 1721
the doctrine of morality (1721)amphion and zethus
The attack on the fort of Luft, 27 November 1809, John Heaviside Clark, 1813
sixteen views of places in the persian gulph, taken in the years 1809-101809
Ecce Homo., Jean-Pierre Norblin de La Gourdaine, between 1774 and 1789
prints by jean-pierre norblin de la gourdaine in the national museum in warsawengraved printing plates
The Storming of Schinaass, Jany 3d 1810, John Heaviside Clark, April 1813
sixteen views of places in the persian gulph, taken in the years 1809-1019th-century prints of battles
William Hogarth - A Rake's Progress - Plate 4 - Arrested For Debt, William Hogarth, 1735
a rake's progressrealism
Conway Castle, In Caernarvonshire. Plate II, Richard Bernard Godfrey, 1774
welsh landscape collectionconwy castle in art
Witch Riding on a Goat, Albrecht Dürer, circa 1500/1501
engravings by albrecht dürer in the national gallery of artgerman renaissance
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Neustaedter Markt in Hannover Osterwald Poppel Lange, Georg Osterwald, circa 1858
engravings of hannoversteel engravings
The south and east front of St James's Church, 1814
architectura ecclesiastica londinijoseph john skelton
Apollo and Diana, Jacopo de' Barbari, circa 1503
engravings of mythology the national gallery of art (washington, d.c.)engravings by jacopo de' barbari
Knight, Death, and the Devil, Albrecht Dürer, 1513
knight, death and the devil by albrecht dürergerman renaissance
Ederlinck Holy Family, Gérard Edelinck
engravings by gérard edelinckworks after raffaello sanzio
Venus and Cupid., Agostino Veneziano, 1516
engravings by agostino venezianoprints by antonio salamanca
Tsar Paul I visiting Tadeusz Kościuszko in prison., Thomas Gaugain, 1801
prints by aleksander orłowskithomas gaugain
Nicolas Istuanfius (1538-1615), poet, historian, vice-palatine of Hungary, Martino Rota, 1575
portraits by martino rotamiklós istvánffy
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
An Election Entertainment plate I LCCN2002714487, William Hogarth, 1755
fine prints in the library of congressrealism
Lengua de Signos (Juan Pablo Bonet, 1620) A, Diego de Astor
reduction de las letras y arte para enseñar a ablar los mudos (1620)title pages
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Mars and Venus, Jacopo de' Barbari
italian engravings in the national gallery of art (washington, d.c.)engravings by jacopo de' barbari
Judith with the Head of Holofernes, Hans Sebald Beham, 1547
engravings of judith with the head of holofernesgerman renaissance
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
The Soldier and his Wife, Daniel Hopfer
16th-century engravings of peopleetchings by daniel hopfer
Adoration of the Magi., Lucas Vorsterman the Elder, 1621
school of peter paul rubenslucas vorsterman (i)
Charity, Andrea del Sarto, 1863
department of image collections, national gallery of art library, washington, dchigh renaissance
Ederlinck Four Knights, Gérard Edelinck
the battle of anghiari after leonardo da vinciengravings by gérard edelinck
Charity, plate 38 from Genii and Virtues (E-Series Tarocchi), circa 1465
italian renaissancemantegna tarocchi
Ecce Homo., Jean-Pierre Norblin de La Gourdaine, between 1774 and 1789
prints by jean-pierre norblin de la gourdaine in the national museum in warsawprints of ecce homo
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Fashion Plate (Promenade Dress), Rudolph Ackermann, October 1817
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Ederlinck St Louis, Gérard Edelinck
engravings by gérard edelinckworks after charles le brun
Plate VIII, Human Body, Posterior View, George Stubbs, 1804
engravings in the yale center for british artromanticism
Masquerade
john simonrococo
Plate X, Fowl Body, Lateral View, George Stubbs, 1804
engravings in the yale center for british artromanticism
The Satyr Family, Albrecht Dürer, 1505
engravings by albrecht dürer in the national gallery of artgerman renaissance
Title Plate, Hans Bol, 1585
prints by hans bolengraving
Fashion Plate (Evening Dress), Rudolph Ackermann, April 1819
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
Lithographic plate with engravings to the publication "Clothing in Poland 1200–1795. Published by Jan Matejko. Printed in Lithogr. by M. Salba / Second edition 1875." Title page, Jan Matejko, 1875
prints in the national museum in kraków1875 prints
Fashion Plate (Head Dresses), Rudolph Ackermann, January 1828
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), Battista Franco Veneziano
works after battista francofrancesco angeloni
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Artists and engravers of British and American book plates - a book of reference for book plate and print collectors (1897) (14583755989), Charles Grignion the Elder, 1897
artists and engravers of british and american book plates - a book of reference for book plate and print collectors (1897)charles grignion the elder
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Artists and engravers of British and American book plates - a book of reference for book plate and print collectors (1897) (14770399065), John Vinycomb, 1897
artists and engravers of british and american book plates - a book of reference for book plate and print collectors (1897)john vinycomb
Fashion Plate (English Morning Dress), Rudolph Ackermann, May 1829
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
Inveraray 1844 Cadell Print Waverley Novels Book Illustration Print Plate, William Miller
engravings by william millerinveraray
The Hundred Bibliophiles 1922, Malo-Renault
engravings by émile malo-renault1922 works in france
To the Royal Kentish Bowmen, This Plate of His Highness [sic], Francesco Bartolozzi, 1795
stipple engravings in the yale center for british art1790s portrait prints of men
Credulity, Superstition, and Fanaticism, William Hogarth, 15 March 1762
credulity, superstition, and fanaticismrealism
The Fifth Foolish Virgin, Martin Schongauer, before 1483
prints in the museum of fine arts, budapestengravings by martin schongauer
Graf Carl von Alten Denkmal Wilhelm Kretschmer Johann Poppel Gustav Georg Lange, Gustav Georg Lange, circa 1858
engravings of hannoversteel engravings
Plate III: View taken in the County of South Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spre, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Fashion Plate (Promenade Dress), Rudolph Ackermann, January 1826
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
Fashion Plate (Carriage Costume), Rudolph Ackermann, April 1826
fashion plates in the los angeles county museum of artackermann's repository of arts - fashion plates
Four Images on One Plate: Avarice, Charity, Sacriledge, Devotion, Francesco Bartolozzi
engravings in the yale center for british artfrancesco bartolozzi
Plate VI, Human Body, Frontal View, George Stubbs, 1804
stipple engravings in the yale center for british artromanticism
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to, William Hincks, 1791
stipple engravings in the yale center for british artwilliam hincks
Plate VII, Human Body, Lateral View, George Stubbs, 1804
stipple engravings in the yale center for british artromanticism
Title Plate, Chrispijn van den Broeck, 1576
chrispijn van den broeckengraving
Apollo and Diana, Jacopo de' Barbari
italian engravings in the national gallery of art (washington, d.c.)engravings by jacopo de' barbari
Marriage A-la-Mode, Plate IV, William Hogarth, 1 April 1745
marriage à-la-mode: 4. the toiletterealism
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